'Liam Gallagher: Knebworth 22' Finds Former Oasis Singer Revisiting Past With Swagger And Even A Little Humilityĭisney100 Funko Pops Are Here, And They're Adorable Stream It Or Skip It: 'Whitney Houston: I Wanna Dance with Somebody' on VOD, a Flatline Biopic of a GOAT Who Deserves Better Stream It Or Skip It: 'Fight The Power: How Hip Hop Changed The World' on PBS, A Docuseries Tracing the Creative and Cultural Trajectory of The Genre Across Five Decades Stream It Or Skip It: 'Dionne Warwick: Don’t Make Me Over' on HBO Max, An Interesting, Career-Spanning Survey Of A Veteran Performer With A Singular Voice And Style Stream It or Skip It: 'Bill Russell: Legend' on Netflix, a Two-Part Documentary Look at the NBA’s Greatest Winner Sunny Hostin Scoffs at Pamela Anderson For Admitting Her Love to Tommy Lee on 'The View': "She Sounds Thirsty" ‘Moonage Daydream’ Tries to Capture David Bowie’s Sound and Vision in Impressionistic Video Album Stream It Or Skip It: ‘Nothing Lasts Forever’ on Showtime, a Wildly Entertaining Documentary Takedown of the Diamond Industry 'Criminal Minds: Evolution' Honors Producer Harry Bring With Tribute Card Stream It or Skip It: ‘Something in the Dirt’ on Hulu, a Movie That Feels as Crazy as Conspiracy Rabbit-Holes AreĬonnie Britton on Reuniting With Jason Katims for 'Dear Edward': "I Was Just So Happy" Fikry’ on Hulu, a Literary Page-Turner That Becomes a Cinematic Head-Scratcher Stream It or Skip It: ‘The Storied Life of A.J. Stream It Or Skip It: ‘Somebody I Used to Know’ on Amazon Prime Video, a Poignant Comedy Vehicle for Alison Brieįans Slam 'Your Place or Mine' for Lack of Chemistry Between Ashton Kutcher and Reese Witherspoon: "These Two Can’t Act" Stream It Or Skip It: 'Marcella Arguello: Bitch, Grow Up!' On HBO Max, Standing Tall In Her Solo Comedy Debut Jason Leong: Ride With Caution' On Netflix, A Malaysian Comedian's Prescription For Your Pandemic Malaise Stream It Or Skip It: 'Le Pupille' on Disney+, a Delightful Christmas Short About Nuns, Orphans and the Great Cake That Stands Between Them Pee-Wee Herman's 1988 Christmas Special Proved There’s Nothing Sinister About Offering Youngsters an Alternative to Strait-Laced Normalcy Stream It Or Skip It: ‘Mariah Carey: Merry Christmas To All!’ on CBS and Paramount+, Where The Singer Continues To Secure Her “Queen Of Christmas” Bid But he calms down as the film progresses and lets the dancing (choreographed by Dave Scott) speak for itself, even as “Stomp the Yard” drags toward its eventual predictable conclusion.Candace Cameron Bure Blasts "Cancel Culture" After Homophobia Controversy ![]() White leans heavily on his background of directing commercials and music videos during a dance battle at the beginning, in which he’s incapable of staying with one shot for more than three seconds. So if you feel like you’ve seen this movie before, it’s because you probably have. This clash and combination of old and new also happened to be the central aesthetic conceit in “Step Up,” “Take the Lead” and, long before that, “Dirty Dancing,” by the way. Instead he joins the rival Theta Nu Theta (all these fraternity names are made up, by the way) and helps jazz up their routines by adding his freestyle moves to their structured lines. None of this deters DJ from pursuing her – and he doesn’t give up even after some totally implausible plot twists intended to keep him away. (White’s camera shamelessly ogles her in slow motion bending over for a sip at the water fountain and jogging in pink short-shorts.) April also happens to be the daughter of the snobbish provost and the girlfriend of a cocky, high-ranking member (Darrin Henson) of Mu Gamma Xi, which has won the national step competition the past seven years straight. Meagan Good co-stars as April, the most preternaturally gorgeous woman on campus. But the script itself (credited to Robert Adetuyi but based on a screenplay by Gregory Ramon Anderson) unfortunately isn’t nearly so straightforward the overlong ending grows increasingly ridiculous with its twists and coincidences involving years of generational grudges and jealousy. Short’s performance is surprisingly free of melodrama, and that’s really him doing all his own dancing: He began his professional career with the Broadway tour of Savion Glover’s show “Stomp,” and he makes it look easy.
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