Computers would eventually provide that little change. Dave Spencer would go on to receive an technical merit Aademy Award for the process however it never did take the place of Xerox as foretold. Yeah, get it right you gol- dern film historians! A new process was also developed during Cauldron called APT which was meant to replace Xerography at the studio. So officially "Basil" was the first Disney animated feature to use computer graphics but "Cauldron" was the first to be released showing it. He commandeered my little crew and used them to creat a row boat, a floating orb of light and some flying witch props for Cauldron. Joe had a varied background at Disney that also included effects and he had proven his abilities time and again on films like " Black Hole" and "Watcher in the Woods". Don Griffith told Joe Hale about the computer imagery I was exploring and he came down and likewise got excited at the possibilities. I gathered a couple of guys from WED and we got right on it. I sketched out some pastels to try and sell the idea and was rewarded with John Musker and Roy Disney's support. Some of the new advances made by Disney during this film included the first computer animation done by Disney that was released to the public.Īlong with a few others, I had left Cauldron to join Producer Burny Mattenson on his project, "Basil of Baker Street." I was inspired by Miyazaki's 's "Castle Calliostro" and wanted to do computer graphics inside Big Ben which was definitely not written into the story. There were however some new tricks coming out of the Disney hat. Animator Don Paul even shot live action of dry ice mists coming out of the cauldron for placement directly into the film for dramatic impact while Ted Keirsey, Mark Dindal, Jeff Howard, Patty Peraza and many many other FX wizards created amazing imagery across "bedsheets" of wide screen animation paper. Unfortunately those simple cuts could not repair the rips in the fabric of the storyline or magically make the film the fantasy epic it should have been.Ĭauldron included some terrific visuals by its stellar effects animation staff who really went above and beyond to create their hand drawn magic. Afterwards as the directors and producer met, they didn't need to read the ARI cards to admit that particular problem and the un-dead sections were quickly cut down and in some cases cut out completely. I can't wait to go out and buy some happy meals of those incredibly entertaining undead fellows." By this time a security guard had been making rounds and gave us the stink eye so we hopped back downstairs to our domiciles chuckling all the way. You couldn't hear what they were saying but I doubt it was along the lines of, "If only they could have held longer on the decayed flesh dripping off that cute zombie's face. She was followed by another, and soon there was a sizable exodus of crying kids and upset parents fleeing from the theater. Right on cue, the doors opened and a mom was angrily leaving with her two wailing children in tow. zero hour, we looked to the theater below. There had been sightings of "suits" on the third floor so we had to be on the look out for anyone wearing a tie. We stood in the back of the theater until the film began, then left quietly and snuck up to the third floor. I brought along a few of my closest cronies to enjoy my hunch. I had that section timed so I knew when it would come on screen after the picture began. I knew that the " un-dead" section would most likely be revolting to some in the audience who would not expect to see a bunch of rotted corpses slowly fermenting and in full gorious, I mean glorious color in a Disney animated feature. There are some great shots of him at that window as the afternoon light creeped through the panes and threw his shadow on the wall behind. When they started having screenings for the public at the studio theater to gather their reactions to our rough cut film, I remembered the window at the end of the hallway where Walt would sometimes stand looking out over his studio while checking people's reaction as they left a screening. The original Black Caudlron given to Patty Peraza by Joe Hale
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